It began with the usual insults
about her nose and hips,
and the belief that her true-true mother
lived on a coral island protected
by sunken galleys and man-o-wars.
her therapists said, were drawing her
toward a different future
than her parents had wished for
when they punished her
for not reading the books they’d studied,
and sent her away on Easter egg hunts
dressed in starched, pink dresses, white bonnets,
and blue bows in each braid of her stubborn hair.
And when she began cutting her wrists,
arms, legs, and belly, her parents
agreed with the psychiatrists
to the prescriptions of pills, potions,
and poisons to keep her grounded in this life.
But then, the scabs became scars became scales,
her hair grew wild and untamed,
and a garden of yellows, blues, and reds sprouted
on her arms, legs, and back –
her ears and lips studded with gold –
and almost overnight she changed into something
she had always resembled in her own dreams,
in the mirror of her mother –
something beautiful and fearsome.
From Dub Wise (Peepal Tree, 2010)
Geoffrey Philp, an author from Jamaica, has written three children’s books, Marcus and the Amazons (Mabrak Books, 2011), Grandpa Sydney’s Anancy Stories (Mabrak Books, 2012), and The Christmas Dutch Pot Baby (Mabrak Books, 2012); two collections of short stories, Uncle Obadiah and the Alien (Peepal Tree,1997) and Who’s Your Daddy? (Peepal Tree, 2009); a novel, Benjamin, My Son (Peepal Tree, 2003); and five poetry collections, Exodus and Other Poems (University of the Virgin Islands Press, 1990), Florida Bound (Peepal Tree, 1995), Hurricane Center (Peepal Tree, 1998), Xango Music (Peepal Tree, 2001), and Dub Wise (Peepal Tree, 2010). His work is represented in nearly every anthology of Caribbean literature, and he is one of the few writers whose work has been published in the Oxford Book of Caribbean Short Stories and the Oxford Book of Caribbean Verse. He is currently working on a novel, Garvey’s Ghost, and a collection of poems, “The Orishas of Ives Dairy.”