Meg Pokrass
ENDURANCE
Tonight my husband tries onbright green athletic sleeves
he was given after his last ultra run.
He runs over mountains now
to feel peaceful,
since his mother's stroke
he needs to regain his breath.
His brain hides at night
in a cave somewhere near my breast,
sleeping his mother's lost life.
I've learned too well
the spell of this endurance contest,
his difficult safari
like a trail cutting through our bed.
THE HEALING CLINIC
In the lobbypatients float like sailboats.
The receptionist wears
European Clogs,
books on healing
line the walls.
I stick my hand inside my shoe,
touch my metatarsal flesh
where pain is my baby
that never quiets.
A patient wearing a scarf
around her scalp
smoothes a book in her lap
as if caressing an exotic rabbit.
Dry tears have peppered this room
with wildfire.
I don't even have
a final diagnosis,
yet the receptionist
is giving me her moonlit smile.
pointing to the hall
and rising.
PLAYING THE BABY
I played the role of"new born" my first months of life.
During infancy
Mom swaddled me,
then put me in a film--
I was an equity infant actor
smeared with cream cheese
and red jam, to look newborn.
Featured in TV shows.
Imagine
how glamorous.
My baby's brain thinking:
I am here for
all these good looking people.
Cream cheese
and red jam.
Later, I learned how
sea turtles have
backward pointing spines
to swallow Jellyfish easier,
and I remember my mother
having the right assets--
swallowing the money,
because we needed it to live.
Meg Pokrass lives in San Francisco. Her work has appeared or is forthcoming in The Emry's Foundation Journal, Flutter Magazine, The Orange Room, Halfway Down the Stairs, 971 Menu, Toasted Cheese, The Rose and Thorn, Thieves Jargon, Eclectica, Chanterelle's Notebook, Roadrunner Haiku Journal, 34th Parallel, and SoMa Literary Journal. She has performed with theatre companies throughout the United States and considers writing a natural extension of sensory work developed as an actor.
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